Japanese prints of the XVIII –XIX century from the collection of the Pushkin State Museum of Fine Arts

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UTAGAWA Hirosige I / 初代目歌川広重

Dynasty:

Utagawa

Life dates:

1797 - 1858

Period:

Mid-Edo Period

Place:

Edo (Tokyo)

Ukiyo-e painter, printmaker. Lived in Edo; son of an official of the fire department assigned to Edo Castle. Early interested in art, his first teacher Okajima Rinsai; then tried unsuccessfully to enter Utagawa Toyokuni’s studio; at about 14 became a pupil of Utagawa Toyohiro. Aiso studied nanga painting under Ooka Umpo; interested in Western art and the work of the Shijo school. Gave up his hereditary position in the fire department to his son, leaving himself free to devote himself to painting and designing prints. In 1812, took name of Hiroshige. In 1833, the year following a trip on the Tokaido, produced his famous Tokaido Gojusan Tsugi (Fifty-three Stations on the Tokaido). Gradually gave up figure prints for landscapers and kachoga; subject matter provided by many trips throughout Japan. Enormous production of single sheets, prints in series, sketches, paintings: about 8,000 known items. Delightful, charming, dextrous artist of Japanese life and topography; deservedly popular in the West, more than any other printmaker responsible for the Westerner’s view of "quaint Japan". The prints and sketches show great technical virtuosity, a naturalistic viewpoint; the paintings are rather dull, less interesting.

Roberts, Laurance, P. "A Dictionary of Japanese Artists", John Weatherhill Inc., New York, 1980, p. 44-45     

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